স্টিভেন স্পিলবર્ગ ঘোষণা: হলিউডে AIকে ‘শেষ শব্দ’ নয়, এটি只是一个工具
স্টিভেন স্পিলবર્ગ ঘোষণা: হলিউডে AIকে ‘শেষ শব্দ’ নয়, এটি只是一个工具
May 28, 2026 | Entertainment & Cinema

প্রতिष्ठিত পরিচালক স্টিভেন স্পিলবর্গ recently sat down with former First Lady Michelle Obama and comedian Craig Robinson on their popular “IMO” podcast to discuss the evolving role of artificial intelligence in Hollywood. During the conversation, Spielberg warned that while AI can be a powerful ally, it should never be allowed to become the “final word” in creative decision‑making.
“AI can help us visualize ideas faster, but the soul of a story comes from human experience — অভিজ্ঞতা, অনুভূতি, and the imperfections that make us human,” Spielberg said, his tone both earnest and reflective. He emphasized that technology should serve the filmmaker’s vision, not dictate it.
Why Spielberg’s Warning Matters Now
The remarks come at a time when studios are increasingly experimenting with AI‑driven script analysis, deep‑fake casting, and even AI‑generated trailers. Major players like Warner Bros. Discovery and Netflix have announced pilot programs that use machine learning to predict box‑office performance and to suggest edits.
Industry analysts note that Spielberg’s stance echoes a growing concern among veteran creators: the risk of homogenizing cinema when algorithms prioritize data‑driven safety over artistic daring. “If we let AI have the final say, we might end up with films that are technically perfect but emotionally hollow,” warned film studies professor Dr. Ayesha Rahman from Dhaka University in a recent interview with The Daily Star.
Nevertheless, Spielberg acknowledged the benefits AI offers. He pointed to his own use of AI-assisted pre‑visualization for the upcoming Jurassic World: Rebirth trailer, which allowed his team to iterate complex dinosaur sequences in a fraction of the usual time.

The Industry Reacts
Following Spielberg’s comments, several prominent figures have voiced their support. Director Ava DuVernay tweeted, “Spoken like a true storyteller. Tech is a brush, not the painter.” Meanwhile, tech‑focused producer Jason Blum added, “We use AI to streamline logistics, but the final cut always rests with the director’s gut feeling.”
Trade unions such as the IATSE and the Writers Guild of America have begun drafting guidelines to ensure AI tools are used transparently and that creators retain ultimate authority over their work. A draft policy released last week recommends mandatory disclosure when AI contributes more than 20% to a screenplay’s content.
In Bangladesh, the growing film industry — often referred to as “Dhallywood” — has also started exploring AI for post‑production tasks like colour grading and subtitling. Veteran producer Mostafa Sarwar Farooki commented, “AI can help us meet global standards, but our stories must remain rooted in our culture and lived realities.”
Looking Ahead
As Hollywood navigates this technological crossroads, Spielberg’s message serves as a timely reminder: innovation should enhance, not eclipse, the human touch that has defined cinema for over a century. With several high‑profile releases slated for 2026 — including his much‑anticipated adaptation of The Fabelmans sequel — audiences will soon see whether his vision of a balanced AI‑human collaboration translates onto the screen.
For now, the conversation continues, both in boardrooms and on podcasts, as creators worldwide grapple with the promise and peril of artificial intelligence in the art of storytelling.
